“November”, my one minute contribution to the 60×60 Surround Mix curated by Hans Tammen, is to be played (along with the other fifty-nine pieces) in New York on Sunday as part of the Vox Novus Festival. The Festival is a celebration of fifteen years of Vox Novus projects including Composer’s Voice, 60×60, Fifteen-Minutes-of-Fame, Circuit Bridges, and xMV. It’s great to be included in this.
The 60×60 Surround Sound Mix will be performed at Spectrum, 121 Ludlow, Second Floor, New York, New York 10002 on Sunday October 25, 2015 at 3:00 pm.
There will be a performance of the 60×60 surround 2014 program, including my piece November, in Seattle on 29th October. The gig is at Jack Straw New Media Gallery, 4261 Roosevelt Way NE in Seattle and it runs from 19:00–20:00 PDT. Entry is free.
More Details here.
“November”, my one minute piece realised using Audio Spray Gun, will receive its world première in New York next Friday as part of a 60×60 surround set curated by Hans Tammen. The performance will be at 7:00 pm in the Harvestworks multichannel TEAMLab listening space.
Admission is free.
My new one minute piece, called “November” has been a given a place in the 60×60 surround sound presentation commissioned by Vox Novus and Harvestworks Digital Artworks Media Center in New York City.
60×60 is a one-hour-long show made by sequencing 60 pre-recorded pieces by 60 different composers, each piece a minute in length or shorter. This particular version will be a 5.1 surround sound mix to be premiered at Harvestworks multichannel TEAMLab listening room on May 16th at 7:00 pm EST.
“November” is a 4 channel piece created using my Audio SprayGun software written in SuperCollider. I will put a stereo reduction online soon.
Richard’s entry for the 60×60 project 2005 was played on June 12th on Max Shea’s Martian Gardens radio show (WMUA FM 91.1 Amherst, Massachusetts, USA).
60×60 is a concert containing 60 compositions from 60 different composers, each composition 60 seconds or less in duration. These 60 recorded pieces are performed in succession without pause one after another for a 1 hour concert. The performance is played in conjunction with synchronized analogue clock. At the top of each minute in the hour the domain of space for the composer has begun. Composers who have written works less than 60 seconds are strategically and artistically place within that minute; the rest of the minute is filled with silence until the next minute begins.
In Richard’s submission, entitled 60/168 and written especially for 60×60, a computer program uses the number 60 and its factors (1, 2, 3, 4, 5, 6, 10, 12, 15, 20 and 30) to create 168 musical events. Sixty events occur once a second, thirty occur every two seconds, twenty every three seconds, and so on. All events of the same time interval have the same pitch. Sixty events are then chosen at random and played over a MIDI synthesizer. Whenever the program runs, a different variation is heard.
Each of the 1.907 x 10128 possible variations lasts exactly one minute.
The final selection of 60 pieces will be made in September.
60×60 project (voxnovus.com)